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	<title>DarkTreeRecords</title>
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		<title>Daunik Lazro • Benjamin Duboc • Mathieu Bec &#8220;Standards Combustion&#8221; // Ken Waxman, JazzWord</title>
		<link>http://www.darktree-records.com/en/archives/5356</link>
		<comments>http://www.darktree-records.com/en/archives/5356#comments</comments>
		<pubDate>Wed, 06 Mar 2024 12:59:51 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT18]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=5356</guid>
		<description><![CDATA[Born in 1945 French saxophonist Daunik Lazro would have grown up with the idea of Jazz standards. But at the same time as someone who began playing seriously in the early 1970s, his idea of standards may differ from others. [...]]]></description>
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		<title>Daunik Lazro • Benjamin Duboc • Mathieu Bec &#8220;Standards Combustion&#8221; // Jean Buzelin, ★OUI★ Culture Jazz</title>
		<link>http://www.darktree-records.com/en/archives/5351</link>
		<comments>http://www.darktree-records.com/en/archives/5351#comments</comments>
		<pubDate>Sun, 03 Mar 2024 12:53:02 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT18]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=5351</guid>
		<description><![CDATA[L’essentiel et le dépouillement absolu. Daunik Lazro avec son seul ténor, Benjamin Duboc et Mathieu Bec sans leurs baffles, rendent visite à Albert Ayler (2 fois), Steve Lacy (2 fois dont une avec la plume de Daunik), Wayne Shorter et John Coltrane dans un choix de thèmes qu’ils considèrent comme des standards, les leurs et ceux de quelques-uns de notre génération (Daunik et moi-même), y ajoutant deux improvisations. [...]]]></description>
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		<title>Daunik Lazro • Benjamin Duboc • Mathieu Bec &#8220;Standards Combustion&#8221; // Guy Sitruk</title>
		<link>http://www.darktree-records.com/en/archives/5349</link>
		<comments>http://www.darktree-records.com/en/archives/5349#comments</comments>
		<pubDate>Mon, 19 Feb 2024 12:45:23 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT18]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=5349</guid>
		<description><![CDATA[Daunik Lazro se permet de faire ici du Ayler d’une manière superlative. Le « Ghosts » est ici étiré, essoré, torturé pour en extraire les dernières gouttes d’un lyrisme que n’aurait pas renié le divin Albert. Pour ce faire, il dérive des seuls accents d’antan pour aller fourrager dans les sonorités actuelles les plus exigeantes. [...]]]></description>
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		<item>
		<title>Daunik Lazro • Benjamin Duboc • Mathieu Bec &#8220;Standards Combustion&#8221; // Franpi Barriaux, CitizenJazz</title>
		<link>http://www.darktree-records.com/en/archives/5346</link>
		<comments>http://www.darktree-records.com/en/archives/5346#comments</comments>
		<pubDate>Sun, 18 Feb 2024 12:35:01 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT18]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=5346</guid>
		<description><![CDATA[Il est des disques qui se passent de commentaires, tout est dans le titre. Les notes de pochette sont superfétatoires, tout comme l’argument, laissé à la musique. Standards Combustion, c’est la réunion de trois des plus intègres musiciens de free de la scène hexagonale, emmenée par le saxophone ténor de Daunik Lazro. [...]]]></description>
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		<title>Daunik Lazro • Benjamin Duboc • Mathieu Bec &#8220;Standards Combustion&#8221; // Bill Meyer, The Wire</title>
		<link>http://www.darktree-records.com/en/archives/5342</link>
		<comments>http://www.darktree-records.com/en/archives/5342#comments</comments>
		<pubDate>Thu, 08 Feb 2024 13:50:17 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT18]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=5342</guid>
		<description><![CDATA[The intent is not to torch the standards. Rather, the sleeve's homage to old Blue Note designs suggests that French tenor saxophonist Daunik Lazro wishes to incorporate fire music era compositions by Ayler, Coltrane, Shorter and Lacy into his personal canon. [...]]]></description>
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		<title>Daunik Lazro • Benjamin Duboc • Mathieu Bec &#8220;Standards Combustion&#8221; // Andrzej Nowak, Spontaneous Music Tribune</title>
		<link>http://www.darktree-records.com/en/archives/5338</link>
		<comments>http://www.darktree-records.com/en/archives/5338#comments</comments>
		<pubDate>Fri, 02 Feb 2024 16:29:46 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT18]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=5338</guid>
		<description><![CDATA[Z radością odnotowujemy powrót do świata żywych naszego ulubionego francuskiego labelu, a nasze szczęście jest tym większe, iż na zgrabnym, kompaktowym dysku odnajdujemy mocarzy francuskiego free impro i post-jazzu, Lazro i Duboca, tu muzykujących z wyjątkowo bystrym drummerem Bec’iem. [...]]]></description>
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		<title>Daunik Lazro • Benjamin Duboc • Mathieu Bec &#8220;Standards Combustion&#8221; // Stéphane Ollivier, ★★★★ Jazz Magazine</title>
		<link>http://www.darktree-records.com/en/archives/5329</link>
		<comments>http://www.darktree-records.com/en/archives/5329#comments</comments>
		<pubDate>Thu, 01 Feb 2024 16:10:39 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT18]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=5329</guid>
		<description><![CDATA[A bientôt 79 ans le saxophoniste Daunik Lazro ne semble décidément pas avoir l’intention de "rendre les armes"… [...]]]></description>
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		<item>
		<title>Daunik Lazro • Benjamin Duboc • Mathieu Bec &#8220;Standards Combustion&#8221; // Pierre Tenne, Jazz News</title>
		<link>http://www.darktree-records.com/en/archives/5334</link>
		<comments>http://www.darktree-records.com/en/archives/5334#comments</comments>
		<pubDate>Wed, 31 Jan 2024 16:18:01 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT18]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=5334</guid>
		<description><![CDATA[Hormis de trop rares élus (Portal, Texier, Léandre peut-être), le jazz français ne sait plus guère produire delégendes, signe qu’il ne fait plus qu’imparfaitement un groupe ou un monde. [...]]]></description>
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		<item>
		<title>Daunik Lazro • Benjamin Duboc • Mathieu Bec &#8220;Standards Combustion&#8221; // Mark Corroto, All About Jazz</title>
		<link>http://www.darktree-records.com/en/archives/5296</link>
		<comments>http://www.darktree-records.com/en/archives/5296#comments</comments>
		<pubDate>Sun, 07 Jan 2024 14:27:28 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT18]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=5296</guid>
		<description><![CDATA[The French trio of saxophonist Daunik Lazro, bassist Benjamin Duboc, and drummer Mathieu Bec has released a collection of music with the fitting title Standards Combustion. Their covers of two compositions each by John Coltrane and Albert Ayler, and one each by Steve Lacy and Wayne Shorter do not so much burn down these nuggets as utilize them as a kind of touch-paper. [...]]]></description>
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		<item>
		<title>Daunik Lazro • Benjamin Duboc • Mathieu Bec &#8220;Standards Combustion&#8221; // Best Of 2023, The New York City Jazz Record</title>
		<link>http://www.darktree-records.com/en/archives/5308</link>
		<comments>http://www.darktree-records.com/en/archives/5308#comments</comments>
		<pubDate>Mon, 01 Jan 2024 17:14:20 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT18]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=5308</guid>
		<description><![CDATA[Best Of 2023 "Honorable Mentions - New Releases"]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Daunik Lazro • Benjamin Duboc • Mathieu Bec &#8220;Standards Combustion&#8221; // Recommended New Releases, The New York City Jazz Record</title>
		<link>http://www.darktree-records.com/en/archives/5304</link>
		<comments>http://www.darktree-records.com/en/archives/5304#comments</comments>
		<pubDate>Mon, 01 Jan 2024 17:09:55 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT18]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=5304</guid>
		<description><![CDATA[Recommended New Releases]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Daunik Lazro • Benjamin Duboc • Mathieu Bec &#8220;Standards Combustion&#8221; // Alex Dutilh, Open Jazz</title>
		<link>http://www.darktree-records.com/en/archives/5287</link>
		<comments>http://www.darktree-records.com/en/archives/5287#comments</comments>
		<pubDate>Thu, 21 Dec 2023 14:00:29 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT18]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=5287</guid>
		<description><![CDATA[Airplay Open Jazz, Alex Dutilh]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Daunik Lazro • Benjamin Duboc • Mathieu Bec &#8220;Standards Combustion&#8221; // Jan Granlie, Salt Peanuts</title>
		<link>http://www.darktree-records.com/en/archives/5284</link>
		<comments>http://www.darktree-records.com/en/archives/5284#comments</comments>
		<pubDate>Thu, 21 Dec 2023 13:52:47 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT18]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=5284</guid>
		<description><![CDATA[Trioen med tenorsaksofonisten Daunik Lazro, bassisten Benjamin Duboc og trommeslageren Mathieu Bec, har valgt noen av sine favorittlåter sammen med en komposisjon av Lazro og ett par de har gjort kollektivt på utgivelsen som gir en åpenbar henvisning til 60-tallets friere deler av jazzen. [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Daunik Lazro • Benjamin Duboc • Mathieu Bec &#8220;Standards Combustion&#8221; // Stuart Broomer, The Free Jazz Collective</title>
		<link>http://www.darktree-records.com/en/archives/5278</link>
		<comments>http://www.darktree-records.com/en/archives/5278#comments</comments>
		<pubDate>Sat, 16 Dec 2023 16:40:56 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT18]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=5278</guid>
		<description><![CDATA[For those who had found free jazz in the early 1960s, meaning Ornette Coleman, John Coltrane, Eric Dolphy, Cecil Taylor and associates, two galvanizing recordings appeared in the middle of the decade: Albert Ayler’s Spiritual Unity and John Coltrane’s Meditations. [...]]]></description>
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		<item>
		<title>Daunik Lazro • Benjamin Duboc • Mathieu Bec &#8220;Standards Combustion&#8221; // Peter Margasak, Nowhere Street</title>
		<link>http://www.darktree-records.com/en/archives/5273</link>
		<comments>http://www.darktree-records.com/en/archives/5273#comments</comments>
		<pubDate>Mon, 11 Dec 2023 22:24:12 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT18]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=5273</guid>
		<description><![CDATA[I have long respected and enjoyed the playing of veteran French saxophonist Daunik Lazro, but he’s never made a recording that struck such an immediate chord with me like his new trio outing Standards Combustion (Dark Tree). [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Daunik Lazro • Benjamin Duboc • Mathieu Bec &#8220;Standards Combustion&#8221; // Xavier Prévost, Les Dernières Nouvelles du Jazz</title>
		<link>http://www.darktree-records.com/en/archives/5269</link>
		<comments>http://www.darktree-records.com/en/archives/5269#comments</comments>
		<pubDate>Mon, 04 Dec 2023 22:09:31 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT18]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=5269</guid>
		<description><![CDATA[Une manière de saluer de grands thèmes (Ayler, Lacy, Shorter, Coltrane) dans un CD dont le recto et le verso font explicitement référence à l’esthétique des pochettes Blue Note des année 50-60 (photo, graphisme, mise en page, police des caractères). [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Daunik Lazro • Benjamin Duboc • Mathieu Bec &#8220;Standards Combustion&#8221; // Joël Pagier, Revue &amp; Corrigée</title>
		<link>http://www.darktree-records.com/en/archives/5293</link>
		<comments>http://www.darktree-records.com/en/archives/5293#comments</comments>
		<pubDate>Fri, 01 Dec 2023 14:15:02 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT18]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=5293</guid>
		<description><![CDATA[Il y eut décidément jazz et jazz ! Celui des origines, qui jamais n'eut aucun souci de légitimité, et celui qui tenta par la suite d'innover en fusionnant avec les divers courants de son époque ou se libérant, justement, de toutes les contraintes y compris endogènes. Mais depuis une vingtaine d'années, tout semble consommé ! [...]]]></description>
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		<item>
		<title>Daunik Lazro • Benjamin Duboc • Mathieu Bec &#8220;Standards Combustion&#8221; // Jean-Michel Van Schouwburg, Orynx</title>
		<link>http://www.darktree-records.com/en/archives/5264</link>
		<comments>http://www.darktree-records.com/en/archives/5264#comments</comments>
		<pubDate>Tue, 21 Nov 2023 22:01:25 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT18]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=5264</guid>
		<description><![CDATA[C’est bien le troisième album de Daunik Lazro avec le contrebassiste Benjamin Duboc pour le label Dark Tree. Les deux premiers étaient concentrés sur l’improvisation libre sonore interactive. Ici au sax ténor et avec Mathieu Bec à la batterie ! [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Horace Tapscott &#8220;Legacies for Our Grandchildren&#8221; // Franpi Barriaux, CitizenJazz</title>
		<link>http://www.darktree-records.com/en/archives/5363</link>
		<comments>http://www.darktree-records.com/en/archives/5363#comments</comments>
		<pubDate>Sun, 16 Apr 2023 14:38:29 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT16]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=5363</guid>
		<description><![CDATA[L’opiniâtreté de Bertrand Gastaut, le patron du label Dark Tree, à défendre la mémoire et surtout la musique du pianiste Horace Tapscott à travers une documentation riche est absolument louable et tout à fait passionnante. [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Horace Tapscott &#8220;Legacies for Our Grandchildren&#8221; // Académie du Jazz, Finaliste &#8220;Prix du Meilleur Inédit&#8221; 2022</title>
		<link>http://www.darktree-records.com/en/archives/5321</link>
		<comments>http://www.darktree-records.com/en/archives/5321#comments</comments>
		<pubDate>Sun, 12 Mar 2023 15:36:45 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT16]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=5321</guid>
		<description><![CDATA[Académie du Jazz, Finaliste "Prix du Meilleur Inédit" 2022]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Vinny Golia • Bernard Santacruz • Cristiano Calcagnile &#8220;To Live and Breathe&#8230;&#8221; // Jean Buzelin, Culture Jazz</title>
		<link>http://www.darktree-records.com/en/archives/5219</link>
		<comments>http://www.darktree-records.com/en/archives/5219#comments</comments>
		<pubDate>Sat, 04 Mar 2023 20:20:41 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT17]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=5219</guid>
		<description><![CDATA[Encore une petite piqûre de rappel : certains disques et musiciens le méritent, en particulier s’ils ne figurent pas parmi ceux dont on parle le plus. DarkTree a donc publié un second disque du saxophoniste américain Vinny Golia (soprano et piccolo), enregistré en Italie en 2017 lors d’une tournée où il était accompagné par Bernard Santacruz (contrebasse) et Cristiano Calcagnile (batterie). [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Horace Tapscott &#8220;Legacies for Our Grandchildren&#8221; // Jean Buzelin, ★OUI★ Culture Jazz</title>
		<link>http://www.darktree-records.com/en/archives/5214</link>
		<comments>http://www.darktree-records.com/en/archives/5214#comments</comments>
		<pubDate>Sat, 04 Mar 2023 19:35:12 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT16]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=5214</guid>
		<description><![CDATA[Le label Dark Tree ayant été créé à sa mémoire, Bertrand Gastaut poursuit l’édition d’enregistrements inédits du pianiste-compositeur-arrangeur Horace Tapscott (1934-1999) avec l’accord et le soutien de sa famille. Il s’agit cette fois d’un concert capté à Hollywood en décembre 1995. [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Vinny Golia • Bernard Santacruz • Cristiano Calcagnile &#8220;To Live and Breathe&#8230;&#8221; // Stuart Broomer, The New York City Jazz Record</title>
		<link>http://www.darktree-records.com/en/archives/5224</link>
		<comments>http://www.darktree-records.com/en/archives/5224#comments</comments>
		<pubDate>Wed, 01 Mar 2023 20:49:06 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT17]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=5224</guid>
		<description><![CDATA[When it comes to the musician playing the most members of the woodwind families, even Anthony Braxton might have to cede the title to Vinny Golia (Golia, one year Braxton’s junior, celebrates his 77th birthday this month) who plays the full range of saxophones: from soprano to bass; alto and bass clarinets; of the transverse winds, piccolo to bass flute; of the double-reeds, English horn and bassoon; he has also played tarogato, the wooden Eastern European instrument merging elements of clarinet and soprano saxophone. [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Horace Tapscott &#8220;Legacies for Our Grandchildren&#8221; // Pierre Crépon, The New York City Jazz Record</title>
		<link>http://www.darktree-records.com/en/archives/5205</link>
		<comments>http://www.darktree-records.com/en/archives/5205#comments</comments>
		<pubDate>Wed, 01 Feb 2023 05:30:32 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT16]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=5205</guid>
		<description><![CDATA[Attention to the details of Tapscott’s history is where French label Dark Tree shines. [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Ensemble Icosikaihenagone &#8220;Volumes II&#8221; // Pierre Durr, Revue &amp; Corrigée</title>
		<link>http://www.darktree-records.com/en/archives/5209</link>
		<comments>http://www.darktree-records.com/en/archives/5209#comments</comments>
		<pubDate>Thu, 01 Dec 2022 06:44:39 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT15]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=5209</guid>
		<description><![CDATA[Conçue comme un spectacle mêlant musique et chorégraphie, cette fiction musicale est due au contrebassiste Benjamin Duboc et fut présentée en octobre 2021 à Montreuil. [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Vinny Golia • Bernard Santacruz • Cristiano Calcagnile &#8220;To Live and Breathe&#8230;&#8221; // Franpi Barriaux, CitizenJazz</title>
		<link>http://www.darktree-records.com/en/archives/5359</link>
		<comments>http://www.darktree-records.com/en/archives/5359#comments</comments>
		<pubDate>Sun, 30 Oct 2022 14:31:59 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT17]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=5359</guid>
		<description><![CDATA[Il serait simple d’imaginer que To Live and Breathe… est une rencontre nouvelle, fortuite presque, entre trois fortes têtes de la musique improvisée internationale. [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Vinny Golia • Bernard Santacruz • Cristiano Calcagnile &#8220;To Live and Breathe&#8230;&#8221; // Bill Meyer, Dusted</title>
		<link>http://www.darktree-records.com/en/archives/5169</link>
		<comments>http://www.darktree-records.com/en/archives/5169#comments</comments>
		<pubDate>Fri, 23 Sep 2022 06:00:28 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT17]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=5169</guid>
		<description><![CDATA[The album’s title telegraphs the seriousness with which this ad hoc, international trio approaches improvisation. But heaviness never bogs them down. [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Vinny Golia • Bernard Santacruz • Cristiano Calcagnile &#8220;To Live and Breathe&#8230;&#8221; // Andrezj Nowak, Spontaneous Music Tribune</title>
		<link>http://www.darktree-records.com/en/archives/5163</link>
		<comments>http://www.darktree-records.com/en/archives/5163#comments</comments>
		<pubDate>Fri, 23 Sep 2022 05:44:54 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT17]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=5163</guid>
		<description><![CDATA[Na foniczną dokumentację spotkania amerykańskiego saksofonisty, bezdyskusyjnego weterana gatunku i jego nieco młodszych, ale też pozostających w sile wieku kolegów - francuskiego kontrabasisty i włoskiego perkusisty - czekaliśmy długie pięć lat. To kolejny w dzisiejszej zbiorówce pokaz swobodnego jazzu, otwartego na wszelkie sugestie stylistyczne. [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Horace Tapscott &#8220;Legacies for Our Grandchildren&#8221; // Andrzej Nowak, Spontaneous Music Tribune</title>
		<link>http://www.darktree-records.com/en/archives/5158</link>
		<comments>http://www.darktree-records.com/en/archives/5158#comments</comments>
		<pubDate>Fri, 23 Sep 2022 04:59:02 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT16]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=5158</guid>
		<description><![CDATA[Zgodnie z zapowiedzią preambuły tej zbiorówki cofamy się w czasie, w tym wypadku o skromne 27 lat. Na scenie znanej kalifornijskiej miejscówki dla fanów pełnokrwistego jazzu spotykamy legendę gatunku, pianistę, który w zgrabnym kwintecie serwuje nam sześć pure jazzowych kompozycji, zdobionych efektownymi, niekiedy wręcz free jazzowymi solówkami. [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Horace Tapscott &#8220;Legacies for Our Grandchildren&#8221; // Kevin Le Gendre, ★★★★ JazzWise</title>
		<link>http://www.darktree-records.com/en/archives/5153</link>
		<comments>http://www.darktree-records.com/en/archives/5153#comments</comments>
		<pubDate>Fri, 23 Sep 2022 03:57:20 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT16]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=5153</guid>
		<description><![CDATA[Like many significant figures in improvised music, pianist-composer-bandleader Horace Tapscott recorded much more material than was released in his lifetime. The Dark Tree label has emerged as a significant curator of his work, and this latest session will be welcomed by converts and newcomers alike. [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Ensemble Icosikaihenagone &#8220;Volumes II&#8221; // Ken Waxman, The Whole Note</title>
		<link>http://www.darktree-records.com/en/archives/5174</link>
		<comments>http://www.darktree-records.com/en/archives/5174#comments</comments>
		<pubDate>Tue, 20 Sep 2022 06:05:28 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT15]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=5174</guid>
		<description><![CDATA[Another double bassist, Benjamin Duboc of Paris, composed and directed an even more ambitious project. Entitled Volumes II – Fiction Musicale et Chorégraphique – Création pour Grand Orchestre et Corps Actants (Dark Tree DT 15 darktree-records.com), Duboc’s Ensemble Icosikaihenagone (EI) runs through a single (nearly) 45-minute arrangement that brings to life this fictitious idea. [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Vinny Golia • Bernard Santacruz • Cristiano Calcagnile &#8220;To Live and Breathe&#8230;&#8221; // Ken Waxman, JazzWord</title>
		<link>http://www.darktree-records.com/en/archives/5183</link>
		<comments>http://www.darktree-records.com/en/archives/5183#comments</comments>
		<pubDate>Mon, 12 Sep 2022 06:25:26 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT17]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=5183</guid>
		<description><![CDATA[Recorded when Golia, playing soprano saxophone and piccolo, was 71, To Live and Breathe demolishes the cliché of Jazz as an exclusively American music: his associates are French bassist Bernard Santacruz, who has worked with Michael Zerang and Italian drummer Christiano Calcagnile who often records with Alberto Braida. [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Horace Tapscott &#8220;Legacies for Our Grandchildren&#8221; // Jacques Denis, Libération</title>
		<link>http://www.darktree-records.com/en/archives/5178</link>
		<comments>http://www.darktree-records.com/en/archives/5178#comments</comments>
		<pubDate>Mon, 12 Sep 2022 06:16:05 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT16]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=5178</guid>
		<description><![CDATA[Entre poignantes ballades et solos stratosphériques, deux rééditions d'albums du jazzman disparu en 1999 exhument le génie d'un musicien senseible et engagé. [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Vinny Golia • Bernard Santacruz • Cristiano Calcagnile &#8220;To Live and Breathe&#8230;&#8221; // Yves Dorison, ★OUI★ Culture Jazz</title>
		<link>http://www.darktree-records.com/en/archives/5147</link>
		<comments>http://www.darktree-records.com/en/archives/5147#comments</comments>
		<pubDate>Mon, 22 Aug 2022 18:05:17 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT17]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=5147</guid>
		<description><![CDATA[Enregistré en public le 05 février 2017 en Italie, ce trio devait à l’origine être un quartet avec le trompettiste Bobby Bradford. Ce dernier, alors âgé de 82 ans, se désista et la tournée se fit sans lui. D’un commun accord, les trois musiciens restants décidèrent d’improviser et c’est le huitième concert des dix dates qui fait la matière de ce disque envoûtant. [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Horace Tapscott &#8220;Legacies for Our Grandchildren&#8221; // Jean-Michel Van Schouwburg, Orynx</title>
		<link>http://www.darktree-records.com/en/archives/5141</link>
		<comments>http://www.darktree-records.com/en/archives/5141#comments</comments>
		<pubDate>Mon, 22 Aug 2022 17:34:00 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT16]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=5141</guid>
		<description><![CDATA[Le label Dark Tree documente systématiquement des enregistrements d’archives du pianiste Horace Tapscott et du tandem John Carter et Bobby Bradford, mais aussi Robert Miranda et Vinny Golia. Après avoir publié deux enregistrements avec des groupes plus larges (comme Horace Tapscott with the Pan Afrikan Peoples Arkestra and the Great Voice Of UGMAA – Why Don’t You Listen? DT (RS) 11), voici que Dark Tree propose un excellent quintet qui a très souvent joué à Los Angeles. [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Vinny Golia • Bernard Santacruz • Cristiano Calcagnile &#8220;To Live and Breathe&#8230;&#8221; // Jan Granlie, Salt Peanuts</title>
		<link>http://www.darktree-records.com/en/archives/5144</link>
		<comments>http://www.darktree-records.com/en/archives/5144#comments</comments>
		<pubDate>Sat, 13 Aug 2022 17:55:22 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT17]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=5144</guid>
		<description><![CDATA[Den amerikanske multiinstrumentalisten Vinny Golia ble født den 1. mars 1946, og er en musiker som har spesialisert seg på der forskjellige treblåseinstrumentene. Han høres i sjangrene samtidsmusikk, jazz, frijazz og fri improvisasjon. [...]]]></description>
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		<title>Horace Tapscott &#8220;Legacies for Our Grandchildren&#8221; // Scott Yanow, LA Jazz Scene</title>
		<link>http://www.darktree-records.com/en/archives/5133</link>
		<comments>http://www.darktree-records.com/en/archives/5133#comments</comments>
		<pubDate>Mon, 01 Aug 2022 16:57:33 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT16]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=5133</guid>
		<description><![CDATA[Pianist, composer and bandleader Horace Tapscott (1934-99) was a jazz giant who, due to his decision to spend most of his career based in Southern California, never received the recognition that he deserved. He could have become much more famous moving to New York, but he preferred to stay in the L.A. area where he worked in the local music community and groomed young talents. [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Horace Tapscott &#8220;Legacies for Our Grandchildren&#8221; // Etienne Dorsay, ★CHOC★ Jazz Magazine</title>
		<link>http://www.darktree-records.com/en/archives/5121</link>
		<comments>http://www.darktree-records.com/en/archives/5121#comments</comments>
		<pubDate>Mon, 01 Aug 2022 14:29:34 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT16]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=5121</guid>
		<description><![CDATA[Nommé par son créateur Bertrand Gastaut d’après l’un des plus fameux disques d’Horace Tapscott, le label indépendant français Dark Tree continue de publier des CD essentiels de ce pianiste de Los Angeles disparu en 1999. [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Vinny Golia • Bernard Santacruz • Cristiano Calcagnile &#8220;To Live and Breathe&#8230;&#8221; // Paul Jaillet, Jazz Magazine</title>
		<link>http://www.darktree-records.com/en/archives/5115</link>
		<comments>http://www.darktree-records.com/en/archives/5115#comments</comments>
		<pubDate>Mon, 25 Jul 2022 14:17:06 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT17]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=5115</guid>
		<description><![CDATA[Enregistré il y a plus de cinq ans dans un club italien, cet album est un bel exemple de collaboration transatlantique fertile entre un musicien de la côte Ouest des États-Unis et une puissante rythmique européenne. [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Ensemble Icosikaihenagone &#8220;Volumes II&#8221; // Jean-Michel Van Schouwburg, Orynx</title>
		<link>http://www.darktree-records.com/en/archives/5110</link>
		<comments>http://www.darktree-records.com/en/archives/5110#comments</comments>
		<pubDate>Thu, 21 Jul 2022 05:17:34 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT15]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=5110</guid>
		<description><![CDATA[Et quel grand orchestre que cet étrange Ensemble Icosikaihenagone conçu par le bassiste et compositeur Benjamin Duboc ! [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Horace Tapscott &#8220;Legacies for Our Grandchildren&#8221; // Jan Granlie, Salt Peanuts</title>
		<link>http://www.darktree-records.com/en/archives/5086</link>
		<comments>http://www.darktree-records.com/en/archives/5086#comments</comments>
		<pubDate>Wed, 20 Jul 2022 04:25:10 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT16]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=5086</guid>
		<description><![CDATA[Horace Elva Tapscott ble født den 6. april 1934 og forlot denne verden den 27. februar 1999. Han var en amerikansk jazzpianist og komponist, og dannet Pan Afrikan Peoples Arkestra (også kjent som P.A.P.A., eller The Ark) i 1961 og ledet ensemblet gjennom 1990-tallet. Han ble født i Houston, Texas, og flyttet til Los Angeles da han var ni år. På dette tidspunktet hadde han begynt å studere piano og trombone. [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Horace Tapscott &#8220;Legacies for Our Grandchildren&#8221; // Karl Ackermann, ★★★★ All About Jazz</title>
		<link>http://www.darktree-records.com/en/archives/5081</link>
		<comments>http://www.darktree-records.com/en/archives/5081#comments</comments>
		<pubDate>Tue, 19 Jul 2022 04:05:52 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT16]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=5081</guid>
		<description><![CDATA[Since its founding in 2011, the French record label Dark Tree has been issuing a "Roots Series" documenting previously unreleased performances of the Los Angeles jazz avant-garde from the 1970s through the '90s. Among the best of those releases have been several from Pan Afrikan Peoples Arkestra led by pianist/composer/conductor Horace Tapscott. [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Vinny Golia • Bernard Santacruz • Cristiano Calcagnile &#8220;To Live and Breathe&#8230;&#8221; // Mark Corroto, ★★★★ All About Jazz</title>
		<link>http://www.darktree-records.com/en/archives/5094</link>
		<comments>http://www.darktree-records.com/en/archives/5094#comments</comments>
		<pubDate>Fri, 08 Jul 2022 04:41:07 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT17]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=5094</guid>
		<description><![CDATA[None of the three musicians heard on To Live and Breathe... had ever performed together before this set of live music recorded in Piacenza, Italy, on Sunday, February 5, 2017. Would they gel? Could they come together in the land of free improvised music? [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Horace Tapscott &#8220;Legacies for Our Grandchildren&#8221; // Bruno Guermonprez, Jazz News</title>
		<link>http://www.darktree-records.com/en/archives/5138</link>
		<comments>http://www.darktree-records.com/en/archives/5138#comments</comments>
		<pubDate>Fri, 01 Jul 2022 17:01:30 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT16]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=5138</guid>
		<description><![CDATA[Grâce soit rendue à Dark Tree de continuer ainsi à réévaluer l'importance du pianiste Horace Tapscott avec la parution inédite de ce live magnifiquement capté sur la scène du Catalina, un club ouvert en 1986 sur Hollywood Boulevard et qui va accueillir Randy Weston, Pat Metheny, Pharoah Sanders, parmi beaucoup d'autres. [...]]]></description>
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		</item>
		<item>
		<title>Horace Tapscott &#8220;Legacies for Our Grandchildren&#8221; // Rigobert Dittmann, Bad Alchemy</title>
		<link>http://www.darktree-records.com/en/archives/5200</link>
		<comments>http://www.darktree-records.com/en/archives/5200#comments</comments>
		<pubDate>Fri, 01 Jul 2022 04:51:17 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT16]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=5200</guid>
		<description><![CDATA[Dark Tree hat ein Spielbein im Hier und Jetzt, mit zuletzt erst wieder dem Ensemble Icosi­kaihenagone. Aber daneben gibt es das spezielle Faible für den durch die Fixierung auf New York überschatteten Jazz der Westcoast – Bobby Bradford &#038; John Carter, Vinny Go­lia, Roberto Miranda und insbesondere Horace Tapscott (1934-1999). [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Vinny Golia • Bernard Santacruz • Cristiano Calcagnile &#8220;To Live and Breathe&#8230;&#8221; // Rigobert Dittmann, Bad Alchemy</title>
		<link>http://www.darktree-records.com/en/archives/5196</link>
		<comments>http://www.darktree-records.com/en/archives/5196#comments</comments>
		<pubDate>Fri, 01 Jul 2022 04:46:21 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT17]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=5196</guid>
		<description><![CDATA[Als würde da an Horace Tapscotts Vermächtnis weitergesponnen, knüpft To Live and Breathe... (DT17 / Nine Wind Records, NWCD0345) mit VINNY GOLIAs Sopranosax bluts­brüderlich an Michael Sessions 'Little Africa'-Tirili an. [...]]]></description>
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		<item>
		<title>Ensemble Icosikaihenagone &#8220;Volumes II&#8221; // Luc Bouquet, Jazz In</title>
		<link>http://www.darktree-records.com/en/archives/5098</link>
		<comments>http://www.darktree-records.com/en/archives/5098#comments</comments>
		<pubDate>Thu, 16 Jun 2022 05:00:48 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT15]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=5098</guid>
		<description><![CDATA[Ils sont 21 musiciens-improvisateurs et 3 corps actants sur scène. Benjamin Duboc nous les présente un à un longuement et y ajoute ses notes d’intention : « Il s’agit d’un scénario totalement fictif où tout est possible ! Attentif alors seulement à la cohabitation des personnages, individus et sous-groupes qui vont partager ce temps commun orchestré. Une seule préoccupation : Les faire exister, devenir, faire voir et entendre ces mondes qui cohabitent ». [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Ensemble Icosikaihenagone &#8220;Volumes II&#8221; // Andrzej Nowak, Spontaneous Music Tribune</title>
		<link>http://www.darktree-records.com/en/archives/5102</link>
		<comments>http://www.darktree-records.com/en/archives/5102#comments</comments>
		<pubDate>Tue, 10 May 2022 06:29:12 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT15]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=5102</guid>
		<description><![CDATA[Dwudziestoosobowy zespół o nazwie własnej nieprzetłumaczalnej na jakikolwiek język świata, dyrygent i kompozytor w jednej osobie, troje aktorów i duża scena teatralna. A na niej tom drugi opowieści pod tytułem Fikcja muzyczna i choreograficzna - Kreacja na Wielką Orkiestrę i Korpus Aktorski. [...]]]></description>
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		<item>
		<title>Ensemble Icosikaihenagone &#8220;Volumes II&#8221; // Rigobert Dittmann, Bad Alchemy</title>
		<link>http://www.darktree-records.com/en/archives/5192</link>
		<comments>http://www.darktree-records.com/en/archives/5192#comments</comments>
		<pubDate>Sun, 01 May 2022 04:39:12 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT15]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=5192</guid>
		<description><![CDATA[ENSEMBLE ICOSIKAIHENAGONE Volumes II - Fiction Musicale Et Chorégraphique - Création Pour Grand Orchestre Et Corps Actants (Dark Tree, DT 15): Benjamin Duboc leitet hier ein mit Akkordeon, Cello, Drums, E-Gitarre, Electronics, Klarinette, zwei Kontrabässen, Kontrabassklarinette, Percussion, zwei Posaunen, Piano, Sopraninosax, zwei Trompeten, Tuba, zwei Violinen und Viola bestücktes, logischerweise 21-köpfiges Ensemble mit so erfahrenen Kräften [...]]]></description>
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		<title>Ensemble Icosikaihenagone &#8220;Volumes II&#8221; // Daniel Barbiero, Avant Music News</title>
		<link>http://www.darktree-records.com/en/archives/5105</link>
		<comments>http://www.darktree-records.com/en/archives/5105#comments</comments>
		<pubDate>Tue, 05 Apr 2022 05:07:29 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT15]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=5105</guid>
		<description><![CDATA[Volumes II—Fiction Musicale et Chorégraphique is an ambitious, large-scale composition by the French double bassist/composer Benjamin Duboc for orchestra, voice, and physical movement. Recorded in October, 2021, the nearly forty-five minute-long piece was realized by a mixed-voice, twenty-one piece ensemble—hence its name—and three actors, including one speaker. [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Roberto Miranda &#8220;Live at Bing Theatre&#8221; // Julien Aunos, CitizenJazz</title>
		<link>http://www.darktree-records.com/en/archives/4982</link>
		<comments>http://www.darktree-records.com/en/archives/4982#comments</comments>
		<pubDate>Sun, 11 Jul 2021 05:44:44 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT14]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=4982</guid>
		<description><![CDATA[A l’occasion de la sortie de l’album Live at Bing Theatre, retour en musique sur la carrière de Roberto Miranda, contrebassiste méconnu. [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Roberto Miranda &#8220;Live at Bing Theatre&#8221; // Robert Bush, The New York City Jazz Record</title>
		<link>http://www.darktree-records.com/en/archives/4992</link>
		<comments>http://www.darktree-records.com/en/archives/4992#comments</comments>
		<pubDate>Thu, 01 Jul 2021 04:02:38 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT14]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=4992</guid>
		<description><![CDATA[Trumpet/cornet master Bobby Bradford, who turns 87 this month, is an American treasure. This has been true since the early ‘60s, when he first entered the public consciousness because of his association with Ornette Coleman. It was Bradford who initially won the trumpet seat in Coleman’s early L.A. quartet, but a lack of work forced him into other means of support and he was subsequently replaced by Don Cherry. [...]]]></description>
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		<title>Roberto Miranda &#8220;Live at Bing Theatre&#8221; // John Fordham, ★★★ Jazzwise</title>
		<link>http://www.darktree-records.com/en/archives/4966</link>
		<comments>http://www.darktree-records.com/en/archives/4966#comments</comments>
		<pubDate>Wed, 30 Jun 2021 13:59:58 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT14]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=4966</guid>
		<description><![CDATA[This 1985 gig at the University of Southern California (USC) brought together a one-off combination of notable 1980s West Coast jazz originals in pianist Horace Tapscott, early-Ornette trumpet partner Bobby Bradford, and clarinet innovator John Carter – plus LA-born flute virtuoso James Newton, by this time on his way to an international reputation. [...]]]></description>
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		<title>Roberto Miranda // Michael Rosenstein, Point of Departure</title>
		<link>http://www.darktree-records.com/en/archives/4961</link>
		<comments>http://www.darktree-records.com/en/archives/4961#comments</comments>
		<pubDate>Tue, 01 Jun 2021 21:55:23 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT14]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=4961</guid>
		<description><![CDATA[Bassist Roberto Miranda has been active in the Los Angeles jazz scene since the 1960s, playing with musicians like Charles Lloyd, Bobby Bradford, John Carter, Vinny Golia, Horace Tapscott, and Tim Berne. In the mid-1980s, Miranda was earning his master’s degree at University of Southern California’s Jazz Studies Department and had received a jazz fellowship grant from the NEA. [...]]]></description>
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		<title>Roberto Miranda // Anders Griffen, The New York City Jazz Record</title>
		<link>http://www.darktree-records.com/en/archives/4952</link>
		<comments>http://www.darktree-records.com/en/archives/4952#comments</comments>
		<pubDate>Tue, 01 Jun 2021 15:59:39 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT14]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=4952</guid>
		<description><![CDATA[• Anders Griffen // The New York City Jazz Record (June 2021)]]></description>
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		<title>Roberto Miranda &#8220;Live at Bing Theatre&#8221; // Guy Sitruk, Jazz à Paris</title>
		<link>http://www.darktree-records.com/en/archives/4948</link>
		<comments>http://www.darktree-records.com/en/archives/4948#comments</comments>
		<pubDate>Mon, 10 May 2021 10:18:30 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT14]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=4948</guid>
		<description><![CDATA[Dark Tree (Page Bandcamp) sort peu d’albums, mais ces derniers sont chaque fois salués. Ce label s’est spécialisé dans les musiques improvisées. Depuis 2015 cependant, sont publiés des enregistrements inédits du passé, dans la collection Roots Serie : voir en particulier le premier de la série : « No U Turn » de Bobby Bradford et John Carter 5tet, enregistré en 1975, avec déjà un certain Roberto Miranda à la basse. [...]]]></description>
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		<title>Roberto Miranda &#8220;Live at Bing Theatre&#8221; // Scott Yanow, L.A. Jazz Scene</title>
		<link>http://www.darktree-records.com/en/archives/4935</link>
		<comments>http://www.darktree-records.com/en/archives/4935#comments</comments>
		<pubDate>Sat, 01 May 2021 18:30:06 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT14]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=4935</guid>
		<description><![CDATA[One of my regular musical thrills of the 1980s and ‘90s was seeing pianist Horace Tapscott and bassist Roberto Miranda (often with drummer Donald Dean and later Fritz Wise) performing as a trio in L.A. area clubs. Tapscott was one of the true originals on piano and Miranda (who was always very inventive) was his perfect musical partner. It was always a shame that they did not have many opportunities to record together. [...]]]></description>
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		<item>
		<title>Horace Tapscott &#8220;Ancestral Echoes&#8221; // Pachi Tapiz, TomaJazz</title>
		<link>http://www.darktree-records.com/en/archives/4930</link>
		<comments>http://www.darktree-records.com/en/archives/4930#comments</comments>
		<pubDate>Fri, 30 Apr 2021 10:40:43 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT13]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=4930</guid>
		<description><![CDATA[Horace Tapscott (1934-1999) es uno de los pianistas más infravalorados de la historia del jazz. Activo en la zona de Los Angeles e involucrado con la escena de vanguardia y en el activismo en su comunidad local, fue calificado como problemático por el establishment musical. [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Roberto Miranda &#8220;Live at Bing Theatre&#8221; // Alex Dutilh, Open Jazz</title>
		<link>http://www.darktree-records.com/en/archives/4943</link>
		<comments>http://www.darktree-records.com/en/archives/4943#comments</comments>
		<pubDate>Tue, 27 Apr 2021 10:56:54 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT14]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=4943</guid>
		<description><![CDATA[• Alex Dutilh // Open Jazz (27 avril 2021)]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Roberto Miranda &#8220;Live at Bing Theatre&#8221; // Derek Taylor, Dusted</title>
		<link>http://www.darktree-records.com/en/archives/4921</link>
		<comments>http://www.darktree-records.com/en/archives/4921#comments</comments>
		<pubDate>Tue, 20 Apr 2021 16:08:48 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT14]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=4921</guid>
		<description><![CDATA[Auspicious and affirmational, Live at Bing Theatre – Los Angeles, 1985 documents a particularly momentous occasion in bassist/conguero Roberto Miranda’s life. The concert constituted the culmination of his academic studies at the University of Southern California and served as the public performance of his Master’s Recital. [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Roberto Miranda &#8220;Live at Bing Theatre&#8221; // Bill Meyer, The Wire</title>
		<link>http://www.darktree-records.com/en/archives/4911</link>
		<comments>http://www.darktree-records.com/en/archives/4911#comments</comments>
		<pubDate>Tue, 13 Apr 2021 17:07:48 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT14]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=4911</guid>
		<description><![CDATA[The latest edition from Dark Tree’s Roots Series is an especially deep dive into Los Angeles’s late 1970s creative music scene. Bassist Roberto Miranda is a reliable sideman who got his break accompanying Charles Lloyd in 1972, and remains active today, but you have to look back to some Nimbus releases from the early 80s and one album from 2002 to find anything else released under his name. [...]]]></description>
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		<title>Roberto Miranda &#8220;Live at Bing Theatre&#8221; // Jan Granlie, Salt Peanuts</title>
		<link>http://www.darktree-records.com/en/archives/4915</link>
		<comments>http://www.darktree-records.com/en/archives/4915#comments</comments>
		<pubDate>Tue, 13 Apr 2021 11:25:13 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT14]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=4915</guid>
		<description><![CDATA[Bassisten Roberto Miranda ble født i New York med foreldre fra Puerto Rico. Faren hans, Louis, var sanger, perkusjonist, elektriker og var ogsåunge Robertos første musikklærer. Moren, Mary, var hjemmeværende, sekretær og senere sykepleier. En av Robertos beste minner fra oppveksten var å se foreldrene danse, og  de var et ganske attraktivt par, ifølge historien. [...]]]></description>
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		<title>Roberto Miranda &#8220;Live at Bing Theatre&#8221; // Jean-Michel Van Schouwburg, Orynx</title>
		<link>http://www.darktree-records.com/en/archives/4908</link>
		<comments>http://www.darktree-records.com/en/archives/4908#comments</comments>
		<pubDate>Mon, 05 Apr 2021 14:59:33 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT14]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=4908</guid>
		<description><![CDATA[Il faut vraiment louer le remarquable est scrupuleux travail d’édition du label Dark Tree autour de la scène « free-jazz » sud californienne. Bobby Bradford et John Carter, Horace Tapscott, Vinny Golia, dans des enregistrements soignés et quasi incontournables. Roberto Miranda est un contrebassiste qu’on a découvert il y a longtemps au sein des premiers groupes de Vinny Golia (label Nine Winds en vinyle) et qui joue aussi dans ce magnifique chef d’œuvre de Bradford et Carter publié par Dark Street : NO U TURN, un album incontournable. [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Roberto Miranda &#8220;Live at Bing Theatre&#8221; // Bruno Guermonprez, Jazz News</title>
		<link>http://www.darktree-records.com/en/archives/4939</link>
		<comments>http://www.darktree-records.com/en/archives/4939#comments</comments>
		<pubDate>Thu, 01 Apr 2021 10:34:33 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT14]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=4939</guid>
		<description><![CDATA[D’un contrebassiste à l’autre avec ce document inédit et passionnant. En 1985, Roberto Miranda a 38 ans et déjà une solide réputation sur la scène de LA où il a frayé avec Charles Lloyd mais surtout le pianiste Horace Tapscott au sein de son Pan Afrikan Peoples Arkestra ainsi que les petites formations de John Carter et Bobby Bradford. [...]]]></description>
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		<item>
		<title>(Français) Roberto Miranda &#8220;Live at Bing Theatre&#8221; // Luc Bouquet, #lakritikdeluc</title>
		<link>http://www.darktree-records.com/en/archives/4925</link>
		<comments>http://www.darktree-records.com/en/archives/4925#comments</comments>
		<pubDate>Fri, 26 Mar 2021 16:21:38 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT14]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=4925</guid>
		<description><![CDATA[[Mais qui est donc Roberto Miranda ? Un dangereux narcotrafiquant portoricain ? Un héros de la Révolution Cubaine ?]
Que nenni mes amis ! Roberto Miranda est un contrebassiste ayant à son actif plus d’une centaine d’enregistrements. Ce fut aussi le partenaire privilégié d'Horace Tapscott. [...]]]></description>
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		<item>
		<title>Roberto Miranda &#8220;Live at Bing Theatre&#8221; // Rui Eduardo Paes, ★★★★★ Jazz.pt</title>
		<link>http://www.darktree-records.com/en/archives/4884</link>
		<comments>http://www.darktree-records.com/en/archives/4884#comments</comments>
		<pubDate>Wed, 24 Mar 2021 13:41:04 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT14]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=4884</guid>
		<description><![CDATA[Talvez o nome de Roberto Miranda não diga muito aos ouvintes portugueses. Trata-se, no entanto, de uma figura histórica da cena do free jazz que se desenvolveu nas décadas de 1970 e 80 na parte Sul de Los Angeles, uma cena em que a música era um acto comunitário e emancipatório em íntima comunhão com as populações afro-americana e latina daquela cidade, a mesma das revoltas de 1992, e que se exponenciou em redor de projectos como a Pan African Peoples Arkestra ou a Union of God’s Musicians and Artists Ascension. [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Roberto Miranda &#8220;Live at Bing Theatre&#8221; // Brad Rose, Foxy Digitalis</title>
		<link>http://www.darktree-records.com/en/archives/4977</link>
		<comments>http://www.darktree-records.com/en/archives/4977#comments</comments>
		<pubDate>Fri, 19 Mar 2021 05:33:59 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT14]]></category>
		<category><![CDATA[Non classé]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=4977</guid>
		<description><![CDATA[What an utter delight this recording is – wow. Major kudos to David Menestres for turning me onto this live session featuring bassist Roberto Miranda, members of his family (his father, brother, and cousin), Horace Tapscott, John Carter, James Newton, and Bobby Bradford among others. It’s one hell of a line-up (and doubly so since it’s apparently the first and only time Bradford, Carter, Newton, and Tapscott were ever on stage together). [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
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		<title>Roberto Miranda &#8220;Live at Bing Theatre&#8221; // Karl Ackermann, All About Jazz</title>
		<link>http://www.darktree-records.com/en/archives/4855</link>
		<comments>http://www.darktree-records.com/en/archives/4855#comments</comments>
		<pubDate>Thu, 18 Mar 2021 07:40:04 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT14]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=4855</guid>
		<description><![CDATA[Roberto Miranda has appeared on almost one-hundred albums but has been lightly recorded as a leader, and inexplicably struggled to generate interest among labels. Dark Tree Records has released some great Horace Tapscott performances from the '70s and '80s. The label resurrected a Miranda-led session on Live at the Bing Theater; Los Angeles, 1985. Recorded at the USC campus auditorium, the sound is pristine, and the ambiance, eclectic and dynamic. [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Roberto Miranda &#8220;Live at Bing Theatre&#8221; // Jean Buzelin, Culture Jazz</title>
		<link>http://www.darktree-records.com/en/archives/4870</link>
		<comments>http://www.darktree-records.com/en/archives/4870#comments</comments>
		<pubDate>Tue, 16 Mar 2021 08:41:44 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT14]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=4870</guid>
		<description><![CDATA[Horace Tapscott faisait partie d’une véritable famille musicale basée sur la côte Ouest qui comprenait des musiciens comme le trompettiste Bobby Bradford, son partenaire habituel le grand clarinettiste John Carter et le flûtiste James Newton. Ils se retrouvent tous les quatre pour la première fois sur une même scène en 1985 au sein du Ricardo Miranda’s Home Music Ensemble. [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Horace Tapscott &#8220;Ancestral Echoes&#8221; // Jean Buzelin, Culture Jazz</title>
		<link>http://www.darktree-records.com/en/archives/4867</link>
		<comments>http://www.darktree-records.com/en/archives/4867#comments</comments>
		<pubDate>Tue, 16 Mar 2021 08:37:22 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT13]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=4867</guid>
		<description><![CDATA[Commençons par le pianiste-compositeur-arrangeur et chef d’orchestre Horace Tapscott(1934-1999) dont un nouveau disque inédit publié à nouveau par le label français Dark Tree, fait suite à un précédent paru l’an passé, un concert de 1998, et dont nous avions fait grand cas. [...]]]></description>
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		<title>Horace Tapscott &#8220;Ancestral Echoes&#8221; // Brian Olewnick, The Squid&#8217;s Ear</title>
		<link>http://www.darktree-records.com/en/archives/4862</link>
		<comments>http://www.darktree-records.com/en/archives/4862#comments</comments>
		<pubDate>Thu, 04 Mar 2021 07:59:12 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT13]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=4862</guid>
		<description><![CDATA[Unless you were an active concert-goer in the Los Angeles area in the late 60s and early 70s, there's a good chance that your first awareness of Horace Tapscott as both a pianist/composer and organizer of local musicians roughly comparable to the AACM and BAG, was when hat[now]ART issued the Dark Tree sessions in 1990. [...]]]></description>
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		<title>Horace Tapscott &#8220;Live at LACMA, 1998&#8243; // Dennis Davis, Hi-Fi +</title>
		<link>http://www.darktree-records.com/en/archives/4842</link>
		<comments>http://www.darktree-records.com/en/archives/4842#comments</comments>
		<pubDate>Mon, 01 Mar 2021 19:46:28 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT11]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=4842</guid>
		<description><![CDATA[• Dennis Davis // Hi-Fi + (mars 2021)]]></description>
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		<item>
		<title>Horace Tapscott &#8220;Ancestral Echoes&#8221; // Peter Bornemar, Lira</title>
		<link>http://www.darktree-records.com/en/archives/4804</link>
		<comments>http://www.darktree-records.com/en/archives/4804#comments</comments>
		<pubDate>Mon, 01 Feb 2021 19:18:48 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT13]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=4804</guid>
		<description><![CDATA[Pianisten, kompositören och bandledaren Horace Tapscott (1934–1999) kan utan tvekan kallas en obesjungen hjälte inom jazzen. Till viss del beroende på att han närmast uteslutande verkade i Los Angeles, i en musikergemenskap liknande den kring Sun Ra, men ännu mer beroende på att han – till skillnad från den extremt produktive Sun Ra – gav ut få skivor under sin livstid. [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Horace Tapscott &#8220;Ancestral Echoes&#8221; // Louis-Julien Nicolaou, ⨌ Télérama</title>
		<link>http://www.darktree-records.com/en/archives/4783</link>
		<comments>http://www.darktree-records.com/en/archives/4783#comments</comments>
		<pubDate>Wed, 27 Jan 2021 00:03:37 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT13]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=4783</guid>
		<description><![CDATA[Moins connu en France qu’Archie Shepp, le pianiste Horace Tapscott (1934-1999) a fondé et dirigé pendant plus de trente ans le Pan-Afrikan Peoples Arkestra, dont l’oeuvre discographique témoigne de nombreuses affinités avec celle du saxophoniste : même quête de spiritualité, mêmes références au panafricanisme, même fonction rituelle d’émancipation et de réappropriation de soi dans les transes de l’improvisation. [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Horace Tapscott &#8220;Ancestral Echoes&#8221; // Flavio Massarutto, Il Manifesto</title>
		<link>http://www.darktree-records.com/en/archives/4763</link>
		<comments>http://www.darktree-records.com/en/archives/4763#comments</comments>
		<pubDate>Sun, 17 Jan 2021 07:53:14 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT13]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=4763</guid>
		<description><![CDATA[HORACE TAPSCOTT, JAZZ SENZA COMPROMESSI. "Ancestral Echoes", publicato un disco di inediti del pianista e attivista politico scomparso nel 1999. [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Horace Tapscott &#8220;Ancestral Echoes&#8221; // ★The 2020 NPR Music Jazz Critics Poll★</title>
		<link>http://www.darktree-records.com/en/archives/4770</link>
		<comments>http://www.darktree-records.com/en/archives/4770#comments</comments>
		<pubDate>Thu, 14 Jan 2021 20:16:20 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT13]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=4770</guid>
		<description><![CDATA[Rara Avis (Reissues/Historical)
• #7: Horace Tapscott with the Pan Afrikan Peoples Arkestra - Ancestral Echoes - The Covina Sessions, 1977 (Dark Tree)]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Horace Tapscott &#8220;Why Don&#8217;t You Listen?&#8221; // Laurent Dussutour, ★ÉLU★ CitizenJazz</title>
		<link>http://www.darktree-records.com/en/archives/4890</link>
		<comments>http://www.darktree-records.com/en/archives/4890#comments</comments>
		<pubDate>Sun, 10 Jan 2021 13:30:08 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT11]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=4890</guid>
		<description><![CDATA[Vendredi 24 juillet 1998. Dans la chaleur étouffante de l’été californien, le pianiste Horace Tapscott convoque une pénultième fois son « Pan Afrikan Peoples Arkestra » et le chœur « Great Voice of UGMAA » (la Grande Voix de l’Union des Musiciens de Dieu et de l’Ascension des Artistes !) pour une performance dans un musée de L.A. [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Horace Tapscott &#8220;Ancestral Echoes&#8221; // ★The Best Reissues 2020★ The Wicked Sound</title>
		<link>http://www.darktree-records.com/en/archives/4760</link>
		<comments>http://www.darktree-records.com/en/archives/4760#comments</comments>
		<pubDate>Fri, 08 Jan 2021 22:26:21 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT13]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=4760</guid>
		<description><![CDATA[• ★The Best Reissues 2020★ The Wicked Sound]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Horace Tapscott &#8220;Ancestral Echoes&#8221; // Enrico Bettinello, Luca Canini ★I 20 migliori dischi JAZZ del 2020★ Il Giornale della Musica</title>
		<link>http://www.darktree-records.com/en/archives/4743</link>
		<comments>http://www.darktree-records.com/en/archives/4743#comments</comments>
		<pubDate>Mon, 14 Dec 2020 22:51:27 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT13]]></category>

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		<description><![CDATA[Un altro tassello ad arricchire il mosaico di un'eredità sulla quale, tra benedette ristampe e folgoranti inediti, sembra essersi finalmente diradata la nebbia. Dopo aver tirato fuori dagli scatoloni della Pan Afrikan Peoples Arkestra un live della fine degli anni Novanta, Why Don't You Listen (2019), la Dark Tree ci delizia con il bis rispolverando una session in studio del 1976. [...]]]></description>
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		<title>Horace Tapscott &#8220;Ancestral Echoes&#8221; // Peter Margasak ★ Complete Communion: The Best Of 2020 In Jazz ★ The Quietus</title>
		<link>http://www.darktree-records.com/en/archives/4747</link>
		<comments>http://www.darktree-records.com/en/archives/4747#comments</comments>
		<pubDate>Mon, 07 Dec 2020 20:24:32 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT13]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=4747</guid>
		<description><![CDATA[Complete Communion sticks to new releases in each instalment, so I want to use a little space to look at some notable reissues and archival releases from 2020. The profile of Los Angeles pianist and composer Horace Tapscott has risen in recent years, with a slew of reissues precipitating a much needed critical reassessment. [...]]]></description>
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		<title>Horace Tapscott &#8220;Ancestral Echoes&#8221; // Stuart Broomer, ★★★★★ Free Jazz Collective</title>
		<link>http://www.darktree-records.com/en/archives/4719</link>
		<comments>http://www.darktree-records.com/en/archives/4719#comments</comments>
		<pubDate>Fri, 04 Dec 2020 19:20:57 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT13]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=4719</guid>
		<description><![CDATA[The Los Angeles-based composer/ pianist/ bandleader Horace Tapscott (1934-1999) has long been overlooked, whether because of his Los Angeles base or his commitment to community-based music. [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Horace Tapscott &#8220;Ancestral Echoes&#8221; // Kevin Le Gendre, ★★★★ JazzWise</title>
		<link>http://www.darktree-records.com/en/archives/4756</link>
		<comments>http://www.darktree-records.com/en/archives/4756#comments</comments>
		<pubDate>Tue, 01 Dec 2020 20:19:23 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT13]]></category>

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		<description><![CDATA[There has been a growingrecognition of LA legend Horace Tapscott's immense contribution to black culture in the past decade, certainly with the emergence of his sidemen and scions, from Dwight Trible to Kamasi Washington. [...]]]></description>
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		<title>Horace Tapscott &#8220;Ancestral Echoes&#8221; // Kevin Whitehead, Point of Departure</title>
		<link>http://www.darktree-records.com/en/archives/4728</link>
		<comments>http://www.darktree-records.com/en/archives/4728#comments</comments>
		<pubDate>Tue, 01 Dec 2020 20:01:40 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT13]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=4728</guid>
		<description><![CDATA[When someone called it an ARKestra, he’d correct them: it’s ArKEStra. As Horace Tapscott (1934–1999) says in his autobiography Songs of the Unsung (written with Stephen Isoardi), he’d borrowed the term from other-pronunciation Sun Ra, along with the connotation of an ark as protector/conservator ship encompassing diverse organic activity. [...]]]></description>
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		<title>Horace Tapscott &#8220;Ancestral Echoes&#8221; // Eric Snider, Jazziz</title>
		<link>http://www.darktree-records.com/en/archives/4736</link>
		<comments>http://www.darktree-records.com/en/archives/4736#comments</comments>
		<pubDate>Tue, 01 Dec 2020 19:18:52 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT13]]></category>

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		<description><![CDATA[Given the renewed interest in Afro-influenced jazz (Shabaka Hutchings, Kamasi Washington), why not explore one of the American fountainheads? [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Steven L. Isoardi &#8220;The Music Finds A Way&#8221; // Point of Departure</title>
		<link>http://www.darktree-records.com/en/archives/4731</link>
		<comments>http://www.darktree-records.com/en/archives/4731#comments</comments>
		<pubDate>Tue, 01 Dec 2020 14:56:27 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DTB01]]></category>

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		<description><![CDATA[• Point of Departure (December 2020) Excerpt from:  Part III: The University of the Streets in Postwar African American L.A Grant’s Music Center A few miles northwest of Watts, in the Midtown Shopping Center at 3306 Venice Boulevard near Third Avenue, just above the Westside, a former saxophonist with Lionel Hampton’s and Gerald Wilson’s big bands, <a href='http://www.darktree-records.com/en/archives/4731'>[...]</a>]]></description>
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		<item>
		<title>Horace Tapscott &#8220;Why Don&#8217;t You Listen?&#8221; // Luca Civelli, Musica Jazz</title>
		<link>http://www.darktree-records.com/en/archives/4825</link>
		<comments>http://www.darktree-records.com/en/archives/4825#comments</comments>
		<pubDate>Sun, 01 Nov 2020 19:24:15 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT11]]></category>

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		<description><![CDATA[Luca Civelli // Musica Jazz]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Horace Tapscott &#8220;Ancestral Echoes&#8221; // Luca Civelli, Musica Jazz</title>
		<link>http://www.darktree-records.com/en/archives/4818</link>
		<comments>http://www.darktree-records.com/en/archives/4818#comments</comments>
		<pubDate>Sun, 01 Nov 2020 19:17:19 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT13]]></category>

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		<description><![CDATA[Luca Civelli // Musica Jazz]]></description>
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		</item>
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		<title>Horace Tapscott &#8220;Ancestral Echoes&#8221; // Jean-Michel Van Schouwburg, Orynx</title>
		<link>http://www.darktree-records.com/en/archives/4706</link>
		<comments>http://www.darktree-records.com/en/archives/4706#comments</comments>
		<pubDate>Tue, 06 Oct 2020 18:17:52 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT13]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=4706</guid>
		<description><![CDATA[Une vibration émanant des cordes du piano, une voix persuasive et énergique dit un beau poème dédié à la cause afro-américaine avec cette voix caractéristique. Une introduction au piano enchaîne sur le riff de Ancestral Echoes. Horace Tapscott, non content d’être un très remarquable pianiste, compositeur et auteur de thèmes soulful invitant à la danse à la célébration de la Great Black Music [...]]]></description>
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		<item>
		<title>Horace Tapscott &#8220;Ancestral Echoes&#8221; // Guy Sitruk, ★ÉLU★ CitizenJazz</title>
		<link>http://www.darktree-records.com/en/archives/4700</link>
		<comments>http://www.darktree-records.com/en/archives/4700#comments</comments>
		<pubDate>Mon, 05 Oct 2020 17:11:46 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT13]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=4700</guid>
		<description><![CDATA[C’est le dernier album en date du label Dark Tree, fondé par Bertrand Gastaut, et le second consacré au pianiste, compositeur et chef d’orchestre Horace Tapscott. [...]]]></description>
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		</item>
		<item>
		<title>Horace Tapscott &#8220;Ancestral Echoes&#8221; // Luc Bouquet, ImproJazz</title>
		<link>http://www.darktree-records.com/en/archives/4688</link>
		<comments>http://www.darktree-records.com/en/archives/4688#comments</comments>
		<pubDate>Wed, 30 Sep 2020 02:41:46 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT13]]></category>

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		<description><![CDATA[Il suffit d’écouter l’ébouriffant solo d’Horace Tapscott tout de suite après la déclamation de l’Ancestral Echoes de  Kamau Daaood pour convaincre un non initié de la grandeur du pianiste. C’est bien grâce à Bertrand Gastaut et son label Dark Tree que renait aujourd’hui Horace Tapscott, le Pan Afrikan Peoples Arkestra et avec eux tout un pan de l’histoire du jazz de Los Angeles. [...]]]></description>
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		<item>
		<title>Horace Tapscott &#8220;Ancestral Echoes&#8221; // Andrzej Nowak, Spontaneous Music Tribune</title>
		<link>http://www.darktree-records.com/en/archives/4695</link>
		<comments>http://www.darktree-records.com/en/archives/4695#comments</comments>
		<pubDate>Fri, 25 Sep 2020 02:44:15 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT13]]></category>

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		<description><![CDATA[Zapraszamy na podróż do prawdziwych, afrykańskich korzeni jazzu! W tym celu przenosimy się do … Kalifornii, a na osi czasu cofamy się do stycznia roku 1976. W studyjnych okolicznościach pewnego domu (sic!) spotykamy ponad 20 muzyków, którzy tworzyli wówczas The Pan-Afrikan Peoples Arkestra, kierowaną przez legendarnego pianistę jazzowego Horace’a Tapscotta (tu także w roli dyrygenta). [...]]]></description>
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		<title>Horace Tapscott &#8220;Ancestral Echoes&#8221; // Daniel Barbiero, Avant Music News</title>
		<link>http://www.darktree-records.com/en/archives/4681</link>
		<comments>http://www.darktree-records.com/en/archives/4681#comments</comments>
		<pubDate>Mon, 14 Sep 2020 21:54:20 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT13]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=4681</guid>
		<description><![CDATA[In January of 1976 pianist/composer Horace Tapscott brought the Pan Afrikan Peoples Arkestra into the Audiotronics Recording Studios in Covina, California. Tapscott had been leading the Los Angeles-based orchestra since the early 1960s; as with the Sun Ra ensemble, the Pan Afrikan Peoples Arkestra had a communal house where Tapscott and many of its members lived. [...]]]></description>
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		<title>Steven L. Isoardi &#8220;The Music Finds A Way&#8221; // Gabriel Bristow, The Wire</title>
		<link>http://www.darktree-records.com/en/archives/4677</link>
		<comments>http://www.darktree-records.com/en/archives/4677#comments</comments>
		<pubDate>Fri, 11 Sep 2020 17:29:03 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DTB01]]></category>

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		<description><![CDATA[The scholar Steven L. Isoardi has spent much of the last 30 years documenting the history of jazz in Los Angeles. [...]]]></description>
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		<title>Horace Tapscott &#8220;Ancestral Echoes&#8221; // Noadya Arnoux, ★★★★ Jazz Magazine</title>
		<link>http://www.darktree-records.com/en/archives/4660</link>
		<comments>http://www.darktree-records.com/en/archives/4660#comments</comments>
		<pubDate>Tue, 01 Sep 2020 21:31:49 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT13]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=4660</guid>
		<description><![CDATA[Le label indépendant Dark Tree continue d’enrichir de précieux inédits la discographie de ce regretté pianiste et chef d’orchestre dont la musique se révèle avec le temps toujours plus vitale et essentielle. [...]]]></description>
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		<title>Horace Tapscott &#8220;Ancestral Echoes&#8221; // New York City Jazz Record &#8211; Recommended New Releases</title>
		<link>http://www.darktree-records.com/en/archives/4666</link>
		<comments>http://www.darktree-records.com/en/archives/4666#comments</comments>
		<pubDate>Tue, 01 Sep 2020 21:30:31 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT13]]></category>

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		<description><![CDATA[Andrey Henkin // New York City Jazz Record (septembre 2020)]]></description>
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		<title>Horace Tapscott &#8220;Ancestral Echoes&#8221; // Scott Yanow, L.A. Jazz Scene</title>
		<link>http://www.darktree-records.com/en/archives/4685</link>
		<comments>http://www.darktree-records.com/en/archives/4685#comments</comments>
		<pubDate>Tue, 01 Sep 2020 19:36:51 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT13]]></category>

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		<description><![CDATA[Horace Tapscott (1934-99) was more than just a very original jazz pianist. He was the spiritual leader of a large group of up-and-coming African-American improvisers based in Los Angeles during the 1960s, ‘70s, ‘80s and ‘90s. As with Sun Ra, he lived in a large home (called The Great House) along with many of his musicians so they were free to play music around the clock if they liked, learning from each other. [...]]]></description>
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		<title>Horace Tapscott &#8220;Ancestral Echoes&#8221; // Derek Taylor, Dusted Magazine</title>
		<link>http://www.darktree-records.com/en/archives/4657</link>
		<comments>http://www.darktree-records.com/en/archives/4657#comments</comments>
		<pubDate>Tue, 25 Aug 2020 10:16:46 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT13]]></category>

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		<description><![CDATA[Jazz orchestras are ambitious fiscal undertakings in the best of financial times. Pianist/composer Horace Tapscott led one during the lean decade of the 1970s and he did it out of Southern California where such ventures were even more fraught with the probability of failure. Ancestral Echoes documents one iteration of his large ensemble with surviving material from a rare studio session from January of 1976. [...]]]></description>
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		<title>Horace Tapscott &#8220;Ancestral Echoes&#8221; // Jan Granlie, Salt Peanuts</title>
		<link>http://www.darktree-records.com/en/archives/4653</link>
		<comments>http://www.darktree-records.com/en/archives/4653#comments</comments>
		<pubDate>Thu, 20 Aug 2020 08:09:31 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT13]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=4653</guid>
		<description><![CDATA[Pianisten og orkesterlederen Horace Elva Tapscott ble født den 6. april 1934 og forlot denne verden den 27. februar 1999. Han dannet Pan Afrikan Peoples Arkestra (også kjent som P.A.P.A., eller The Ark) i 1961 og han ledet ensemblet helt fram til 90-tallet. [...]]]></description>
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		<title>Horace Tapscott &#8220;Ancestral Echoes&#8221; // Tim Niland, Jazz and Blues Blog</title>
		<link>http://www.darktree-records.com/en/archives/4650</link>
		<comments>http://www.darktree-records.com/en/archives/4650#comments</comments>
		<pubDate>Sat, 08 Aug 2020 20:22:32 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT13]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=4650</guid>
		<description><![CDATA[Pianist and composer Horace Tapscott led the Pan African Peoples Arkestra in Los Angeles for nearly thirty years, unjustly flying under the radar of the jazz establishment. This album details the first studio recordings of the band and they sound vibrant and fresh at a time when most large ensembles were folding their tents. [...]]]></description>
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		<title>Horace Tapscott &#8220;Ancestral Echoes&#8221; // Rigobert Dittmann, Bad Alchemy</title>
		<link>http://www.darktree-records.com/en/archives/4645</link>
		<comments>http://www.darktree-records.com/en/archives/4645#comments</comments>
		<pubDate>Sat, 01 Aug 2020 16:49:15 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[DT13]]></category>

		<guid isPermaLink="false">http://www.darktree-records.com/?p=4645</guid>
		<description><![CDATA[Die Union of God's Musicians and Ar- tists Ascension und das PAN AFRICA PEOPLES ARKESTRA als zugehöriges Sprachrohr waren die Mittel, mit denen HORACE TAPSCOTT (1934-1999) von Anfang der 60er bis zu seinem Tod sein Credo verwirklichte: Come together, stay together, play together, play for the people. [...]]]></description>
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